A formidable soloist, bringing depth, eloquence, and gleeful technical assurance.
San Francisco Chronicle
The breadth of Ms. Buechner’s artistry, spanning thundering fortissimos and chiseled passagework, as well as lyrical moments colored by a poetic sensitivity that was tempered by wit and judicious restraint
The New York Times
Buechner's playing was faultless, favoring a bright, forthright sonority.
The Philadelphia Inquirer

Latest news

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Welcome to my new website!

Welcome to the new www.saradavisbuechner.com! Have a look around and let me know what you think… -Sara

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Rave Review of Beethoven Concerto No. 3 with Buffalo Philharmonic Orchestra

Here are some highlights from a wonderful review of my performance of Beethoven’s Piano Concerto No. 3 in C minor with the Buffalo Philharmonic Orchestra this past weekend under the…

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This beautiful Adagio is one of 24 new pieces for piano, entitled “The Wolf-Tempered Clavier” by Hungarian composer Péter Wolf. My first piano teacher, Veronika Wolf Cohen (cousin of Péter),…

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Too Many Notes – Mozart Moments Ep. 7

There’s a well known scene from the movie “Amadeus” where the composer Mozart is accused of writing too many notes. Of course, this causes a little bit of consternation (and…

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"Buechner's performance... with its soft contours and liquid, legato phrasing... had a beauty that might have taken even Mozart's breath away"

The Washington Post


Solo piano recital, works tba.


Rachmaninoff’s “Rhapsody on a Theme of Paganini,” with conductor Alexander Prior.


Now in development, a series of 8 concerts throughout July 2019 with the Tokyo Sinfonia under the direction of Robert Rÿker, in Oji Hall. We will essay all 21 of Mozart’s solo Piano Concertos. Details of the individual programs to be announced shortly.

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"Buechner has it all... intelligence, integrity and all-encompassing technical prowess"

The New York Times