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Welcome to my new website!
Welcome to the new www.saradavisbuechner.com! Have a look around and let me know what you think… -Sara
Read moreRave Review of Beethoven Concerto No. 3 with Buffalo Philharmonic Orchestra
Here are some highlights from a wonderful review of my performance of Beethoven’s Piano Concerto No. 3 in C minor with the Buffalo Philharmonic Orchestra this past weekend under the…
Read moreADAGIO FOR THANKSGIVING
This beautiful Adagio is one of 24 new pieces for piano, entitled “The Wolf-Tempered Clavier” by Hungarian composer Péter Wolf. My first piano teacher, Veronika Wolf Cohen (cousin of Péter),…
Read moreToo Many Notes – Mozart Moments Ep. 7
There’s a well known scene from the movie “Amadeus” where the composer Mozart is accused of writing too many notes. Of course, this causes a little bit of consternation (and…
Read moreThe Washington Post"Buechner's performance... with its soft contours and liquid, legato phrasing... had a beauty that might have taken even Mozart's breath away"
Schedule

I will play a rare multi-cultural program of impressionist music by French and American composers — Claude Debussy, Maurice Ravel, Francis Poulenc (his enchanting “Soirées de Nazelles”), John Alden Carpenter, Vernon Duke and Dana Suesse (her “Jazz Nocturne” and complete “Cocktail Suite”).
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The indomitable conductor Robert Rÿker had the brainchild of inviting me to perform the cycle of all five Piano Concertos by Camille Saint-Saëns in Tokyo’s Oji Hall. The great French pianist Jeanne-Marie Darré used to essay this feat in a single concert, but as I am merely human it will take me two evenings.
Japan’s extraordinary “Symphony of Nineteen” players shares in the fun. Tonight’s opener features Piano Concertos no. 2 in G minor (with its celebrated Scherzo), no. 3 in E flat major, and no. 4 in C major. Expect a barrage of scales, double notes, octaves, drama and smiles.
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The indomitable conductor Robert Rÿker had the brainchild of inviting me to perform the cycle of all five Piano Concertos by Camille Saint-Saëns in Tokyo’s Oji Hall. The great French pianist Jeanne-Marie Darré used to essay this feat in a single concert, but as I am merely human it will take me two evenings.
Japan’s extraordinary “Symphony of Nineteen” players shares in the fun. Tonight’s closing event features the energetic First Piano Concertos in D major and the charming “Egyptian” Piano Concerto no. 5. Expect a barrage of scales, double notes, octaves, drama and smiles.
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The New York Times"Buechner has it all... intelligence, integrity and all-encompassing technical prowess"