A formidable soloist, bringing depth, eloquence, and gleeful technical assurance.
San Francisco Chronicle
The breadth of Ms. Buechner’s artistry, spanning thundering fortissimos and chiseled passagework, as well as lyrical moments colored by a poetic sensitivity that was tempered by wit and judicious restraint
The New York Times
Buechner's playing was faultless, favoring a bright, forthright sonority.
The Philadelphia Inquirer

Latest news

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Welcome to my new website!

Welcome to the new www.saradavisbuechner.com! Have a look around and let me know what you think… -Sara

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Rave Review of Beethoven Concerto No. 3 with Buffalo Philharmonic Orchestra

Here are some highlights from a wonderful review of my performance of Beethoven’s Piano Concerto No. 3 in C minor with the Buffalo Philharmonic Orchestra this past weekend under the…

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ADAGIO FOR THANKSGIVING

This beautiful Adagio is one of 24 new pieces for piano, entitled “The Wolf-Tempered Clavier” by Hungarian composer Péter Wolf. My first piano teacher, Veronika Wolf Cohen (cousin of Péter),…

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Too Many Notes – Mozart Moments Ep. 7

There’s a well known scene from the movie “Amadeus” where the composer Mozart is accused of writing too many notes. Of course, this causes a little bit of consternation (and…

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"Buechner's performance... with its soft contours and liquid, legato phrasing... had a beauty that might have taken even Mozart's breath away"

The Washington Post

Schedule

I will play a rare multi-cultural program of impressionist music by French and American composers — Claude Debussy, Maurice Ravel, Francis Poulenc (his enchanting “Soirées de Nazelles”), John Alden Carpenter, Vernon Duke and Dana Suesse (her “Jazz Nocturne” and complete “Cocktail Suite”).

JULY
8
Tickets

The indomitable conductor Robert Rÿker had the brainchild of inviting me to perform the cycle of all five Piano Concertos by Camille Saint-Saëns in Tokyo’s Oji Hall. The great French pianist Jeanne-Marie Darré used to essay this feat in a single concert, but as I am merely human it will take me two evenings.

Japan’s extraordinary “Symphony of Nineteen” players shares in the fun. Tonight’s opener features Piano Concertos no. 2 in G minor (with its celebrated Scherzo), no. 3 in E flat major, and no. 4 in C major. Expect a barrage of scales, double notes, octaves, drama and smiles.

JULY
13
Tickets

The indomitable conductor Robert Rÿker had the brainchild of inviting me to perform the cycle of all five Piano Concertos by Camille Saint-Saëns in Tokyo’s Oji Hall. The great French pianist Jeanne-Marie Darré used to essay this feat in a single concert, but as I am merely human it will take me two evenings.

Japan’s extraordinary “Symphony of Nineteen” players shares in the fun. Tonight’s closing event features the energetic First Piano Concertos in D major and the charming “Egyptian” Piano Concerto no. 5. Expect a barrage of scales, double notes, octaves, drama and smiles.

JULY
16
Tickets

"Buechner has it all... intelligence, integrity and all-encompassing technical prowess"

The New York Times

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