A formidable soloist, bringing depth, eloquence, and gleeful technical assurance.
San Francisco Chronicle
The breadth of Ms. Buechner’s artistry, spanning thundering fortissimos and chiseled passagework, as well as lyrical moments colored by a poetic sensitivity that was tempered by wit and judicious restraint
The New York Times
Buechner's playing was faultless, favoring a bright, forthright sonority.
The Philadelphia Inquirer

Latest news

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Welcome to my new website!

Welcome to the new www.saradavisbuechner.com! Have a look around and let me know what you think… -Sara

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Rave Review of Beethoven Concerto No. 3 with Buffalo Philharmonic Orchestra

Here are some highlights from a wonderful review of my performance of Beethoven’s Piano Concerto No. 3 in C minor with the Buffalo Philharmonic Orchestra this past weekend under the…

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ADAGIO FOR THANKSGIVING

This beautiful Adagio is one of 24 new pieces for piano, entitled “The Wolf-Tempered Clavier” by Hungarian composer Péter Wolf. My first piano teacher, Veronika Wolf Cohen (cousin of Péter),…

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Too Many Notes – Mozart Moments Ep. 7

There’s a well known scene from the movie “Amadeus” where the composer Mozart is accused of writing too many notes. Of course, this causes a little bit of consternation (and…

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"Buechner's performance... with its soft contours and liquid, legato phrasing... had a beauty that might have taken even Mozart's breath away"

The Washington Post

Schedule

I am honored to be one of the adjudicators of this distinguished international event.

JANUARY
3 - 9
Tickets

This evening’s class is an exhaustive survey of America’s greatest composer, George Gershwin. I will perform the solo version of “Rhapsody in Blue” as well as my own solo version of Gershwin’s rarely-heard Second Rhapsody (“Rhapsody in Rivets”). With my TU colleague, the spectacular pianist Charles Abramovic, we will essay duo-piano versions of the Cuban Overture and “An American in Paris.” More delights will follow — foxtrot improvisations from Gershwin’s piano rolls, and Dana Suesse’s rarely-heard duo-piano arrangements of Gershwin songs.

No absences will be allowed! from this essential course that you’ll enjoy from beginning to end.

The concert will be held at Temple University’s Rock Hall, at the corner of Broad Street and Cecil B. Moore Avenue.

JANUARY
26
Tickets

I’ll play the sprightly Second Piano Concerto of Camille Saint-Säens, under the baton of the amazing young Cuban conductor Cosette Justo Valdés.

The Thursday evening concert begins at 7:30 p.m., at the glorious Winspear Centre.

FEBRUARY
6
Tickets

"Buechner has it all... intelligence, integrity and all-encompassing technical prowess"

The New York Times

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