A formidable soloist, bringing depth, eloquence, and gleeful technical assurance.
San Francisco Chronicle
The breadth of Ms. Buechner’s artistry, spanning thundering fortissimos and chiseled passagework, as well as lyrical moments colored by a poetic sensitivity that was tempered by wit and judicious restraint
The New York Times
Buechner's playing was faultless, favoring a bright, forthright sonority.
The Philadelphia Inquirer

Latest news

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Welcome to my new website!

Welcome to the new www.saradavisbuechner.com! Have a look around and let me know what you think… -Sara

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Rave Review of Beethoven Concerto No. 3 with Buffalo Philharmonic Orchestra

Here are some highlights from a wonderful review of my performance of Beethoven’s Piano Concerto No. 3 in C minor with the Buffalo Philharmonic Orchestra this past weekend under the…

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ADAGIO FOR THANKSGIVING

This beautiful Adagio is one of 24 new pieces for piano, entitled “The Wolf-Tempered Clavier” by Hungarian composer Péter Wolf. My first piano teacher, Veronika Wolf Cohen (cousin of Péter),…

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Too Many Notes – Mozart Moments Ep. 7

There’s a well known scene from the movie “Amadeus” where the composer Mozart is accused of writing too many notes. Of course, this causes a little bit of consternation (and…

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"Buechner's performance... with its soft contours and liquid, legato phrasing... had a beauty that might have taken even Mozart's breath away"

The Washington Post

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Once again I am delighted to work with the energetic conductor Lawrence Loh, performing Franz Liszt’s virtuosic Piano Concerto no. 1 in E flat major.

MAY
17
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It is my great honor to serve as emcee of the 2025 Annual Dinner of the New York Japan Society, a black- tie event held this year at the Sheraton New York Times Square Hotel (811 Seventh Avenue).

In 2022 I was the first non-Japanese entertainer hired to perform at this annual dinner, and now I will serve as host and moderator, and throw in a bit of piano playing as well.

25 years ago I walked into the NY Japan Society as a new student in their highly-regarded language program. I was 40 years old then, and I am sadly still far from “pera pera” (fluent) in Nihongo. But the wonderful teachers at the Japan Society graced with me their time, assistance and inspiration, and opened my life to a stunning array of new and exciting chapters. On June 12th I will attempt to give thanks for all of that, in most glamorous setting, indeed. Ganbarimasu. (I will do my best).

JUNE
12
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I will play a rare multi-cultural program of impressionist music by French and American composers — Claude Debussy, Maurice Ravel, Francis Poulenc (his enchanting “Soirées de Nazelles”), John Alden Carpenter, Vernon Duke and Dana Suesse (her “Jazz Nocturne” and complete “Cocktail Suite”).

JULY
8
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"Buechner has it all... intelligence, integrity and all-encompassing technical prowess"

The New York Times

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